Live

Live-Sets feat. Emanuel Künzi @ 5 & 6 pm

Stefan Schultze performs on a prepared grand piano extended with suspended objects and a data driven automated piano system, while Werner Hasler shapes the sound through live sampling and spatialization. Like a kinetic mobile, the music surrounds the audience. Triggered by a piano prepared in real time and set into motion by manipulated patterns striking strings and objects, sounds emerge and continuously transform. Through live sampling and spatial diffusion, these sounds unfold into an evolving improvised soundscape, reflecting both the small resonant objects and the wider interplay of space, time, matter, and energy.

Kamilya Jubran and Werner Hasler create a richly textured musical dialogue where timbres, cultures, languages, and modes converge. Moving between lyricism, contrast, and ornamentation, the duo explores improvisation as a means of expanding their shared sonic vocabulary and articulating both their roots and their present.

As part of Kamilya Jubran’s Beyond 1932 Residency at King’s College London, they perform و WA (Arabic for “and”), their third album (Everest Records, 2019). The performance will be followed by a short Q&A with the artists.

The album KOEL moves between floating passages and extended, otherworldly soundscapes — vast like a horizonless sky — and sudden descents into powerful, mechanical electronic grooves, interwoven with raw, organic textures. Deep, vibrating tremors rise like sea creatures emerging from the depths: formless, shifting masses, rhythmic, jagged tentacles.

The music of HAN (Annie Aries & Paula Haeni) is shaped by opposing forces: expansion and compression, lightness and pull, surrender and tension. With this first release by the duo, listening becomes a physical, almost animal experience. The audience is drawn into a field of raw energies and multilayered textures, suspended between hypnotic states of drift and diffuse, elusive perceptual spaces.

Out on ammoniac.fm

The Chuchchepati Orchestra is an open, curated format for experimental music, bringing together outstanding musicians and artistic projects. For this edition, Patrick Kessler welcomes renowned percussion virtuoso Julian Sartorius and turntablist Vincent von Schlippenbach, whose work spans many years of production for German hip-hop and pop artists. Double bass, drums, and turntables — one of the rarest formations — come together amid towering loudspeakers.

In January 2026, DJ Illvibe (Vincent von Schlippenbach) and Julian Sartorius embark on a unique tour, presenting situational live concerts. Bringing together turntables, vinyl, drums, and found-sound instruments, the Berlin-based producer and the Bernese percussionist create immersive soundscapes where organic rhythms meet electronic textures — each performance shaped by spontaneity and experimentation.

Like clouds in the sky, Mich Gerber’s music is in constant motion: it emerges, transforms, dissolves—and yet remains deeply felt. With the release of Drifting Clouds, this ever-changing musical vision takes shape as a 60-minute stream of sound rich in nuance and subtle transitions. The work is an invitation to embrace impermanence, to give attention to what passes by, and to sink into a contemplative listening experience. Music that begins before the first note is heard—and resonates long after it fades.

Mich Gerber, a pioneer of contemporary double bass music, bridges classical roots with a broad, global musical sensibility. His unmistakable style, shaped by worldwide influences and a spirit of technical experimentation, transforms the double bass into a narrative solo instrument—powerful, poetic, and endlessly surprising.

Information and Tickets

In January 2026, DJ Illvibe (Vincent von Schlippenbach) and Julian Sartorius embark on a unique tour, presenting situational live concerts. Bringing together turntables, vinyl, drums, and found-sound instruments, the Berlin-based producer and the Bernese percussionist create immersive soundscapes where organic rhythms meet electronic textures — each performance shaped by spontaneity and experimentation.

In January 2026, DJ Illvibe (Vincent von Schlippenbach) and Julian Sartorius embark on a unique tour, presenting situational live concerts. Bringing together turntables, vinyl, drums, and found-sound instruments, the Berlin-based producer and the Bernese percussionist create immersive soundscapes where organic rhythms meet electronic textures — each performance shaped by spontaneity and experimentation.

In January 2026, DJ Illvibe (Vincent von Schlippenbach) and Julian Sartorius embark on a unique tour, presenting situational live concerts. Bringing together turntables, vinyl, drums, and found-sound instruments, the Berlin-based producer and the Bernese percussionist create immersive soundscapes where organic rhythms meet electronic textures — each performance shaped by spontaneity and experimentation.

In January 2026, DJ Illvibe (Vincent von Schlippenbach) and Julian Sartorius embark on a unique tour, presenting situational live concerts. Bringing together turntables, vinyl, drums, and found-sound instruments, the Berlin-based producer and the Bernese percussionist create immersive soundscapes where organic rhythms meet electronic textures — each performance shaped by spontaneity and experimentation.

In January 2026, DJ Illvibe (Vincent von Schlippenbach) and Julian Sartorius embark on a unique tour, presenting situational live concerts. Bringing together turntables, vinyl, drums, and found-sound instruments, the Berlin-based producer and the Bernese percussionist create immersive soundscapes where organic rhythms meet electronic textures — each performance shaped by spontaneity and experimentation.

Kamilya Jubran and Werner Hasler create a richly textured musical dialogue where timbres, cultures, languages, and modes converge. Moving between lyricism, contrast, and ornamentation, the duo explores improvisation as a means of expanding their shared sonic vocabulary and articulating both their roots and their present.

In Crack the Rack, constructed fragility meets musical precision. Artist Ernestyna Orlowska designs a sculptural percussion structure, an instrument that can only sound through its own decay. It is built to break.
Drummer Julian Sartorius performs on this fragile construction. Each strike is not only sound, but intervention and erosion. The performance unfolds as a process of gradual disintegration: the instrument reveals its voice only through its own destruction.

Bern-based drummer Julian Sartorius and Lucerne tenor saxophonist Elio Amberg form the duo Julius Amber. Their debut album Close Up moves between noise and reduced sound material, combining electronic sequencing with flexible, responsive timing. Closely miked and recorded on an analog four-track cassette recorder, the music fuses breath, rhythm, and texture into a single, intimate instrument.

Drone Night with Annie Aries, Lise Barkas, Luz González & Marta Zapparoli

Within Immersive Murmurs brings together WIM Bern and Flux Fusion for a drone night exploring contemporary experimental sound. Moving between composition, sound research, performance, and technological experimentation, the event creates immersive listening spaces shaped by slowly evolving textures and continuous vibration.