Early Everest in full focus: Inhalight maps a twilight zone between IDM, ambient drift, and tactile glitch. Grainy drum machines, prismatic synth lines, and quietly dramatic bass pulses move like weather—shifting pressure, sudden clears, slow fronts of noise. Textures feel hand-made yet precisely placed: frayed loops, tiny percussive details, and hints of field recording threaded through clean, architectural arrangements. A compact statement of intent—digital clarity with analog warmth—music that breathes, swells, and locks into a pulse without ever standing still.