The first installment of the trilogy, She, flickers, disperses, and constantly seeks open space—drifting toward the psychedelic. The quartet sheds jazz clichés, trusts instinct, and plays with alert, untamed energy. She is a breathless kickoff: compositions shapeshift, grow, and proliferate like living forms. In early 2015, the electric charge of She is followed by Hera, a mystical, acoustic sequel inspired by motifs from Benjamin Britten. Where the closing chapter, Zade, will lead remains open—Le Pot’s path stays boldly exploratory.