Bushwac stand firmly against racism, sexism, xenophobia, and homophobia—and the new album hits with the same uncompromising force. Following The Road That White Men Tread, this second round keeps a line to its predecessor while stripping everything to a lean, direct core. Literary and political texts are sampled—yes, sometimes gleefully abused—to forge a singular strain of dance music: close to hip-hop’s cut-and-quote roots yet noisier, stranger, and charged with raw momentum. A minimal chassis, maximum impact.